Greene v. Paramount Pictures ( 2020 )


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  • 19-135-cv
    Greene v. Paramount Pictures, et al.
    UNITED STATES COURT OF APPEALS
    FOR THE SECOND CIRCUIT
    SUMMARY ORDER
    RULINGS BY SUMMARY ORDER DO NOT HAVE PRECEDENTIAL EFFECT. CITATION TO A
    SUMMARY ORDER FILED ON OR AFTER JANUARY 1, 2007 IS PERMITTED AND IS GOVERNED BY
    FEDERAL RULE OF APPELLATE PROCEDURE 32.1 AND THIS COURT'S LOCAL RULE 32.1.1.
    WHEN CITING A SUMMARY ORDER IN A DOCUMENT FILED WITH THIS COURT, A PARTY MUST
    CITE EITHER THE FEDERAL APPENDIX OR AN ELECTRONIC DATABASE (WITH THE NOTATION
    "SUMMARY ORDER"). A PARTY CITING A SUMMARY ORDER MUST SERVE A COPY OF IT ON
    ANY PARTY NOT REPRESENTED BY COUNSEL.
    At a stated term of the United States Court of Appeals for the Second
    Circuit, held at the Thurgood Marshall United States Courthouse, 40 Foley Square, in
    the City of New York, on the 11th day of June, two thousand twenty.
    PRESENT:             DENNIS JACOBS,
    GUIDO CALABRESI,
    DENNY CHIN,
    Circuit Judges.
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    ANDREW GREENE,
    Plaintiff-Appellant,
    v.                                                   19-135-cv
    PARAMOUNT PICTURES CORPORATION, A Delaware
    Corporation, RED GRANITE PICTURES, INC., A
    California Corporation, APPIAN WAY, LLC, A California
    Limited Liability Company, SIKELIA PRODUCTIONS,
    INC., JOHN AND JANE DOES 1 THROUGH 10,
    Defendants-Appellees.
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    FOR PLAINTIFF-APPELLANT:                  AARON M. GOLDSMITH, Law Office of
    Aaron M. Goldsmith, P.C., New York, New
    York.
    FOR DEFENDANTS-APPELLEES:                 VINCENT COX (Louis P. Petrich, on the brief),
    Ballard Spahr, LLP, Los Angeles, California.
    Appeal from the United States District Court for the Eastern District of
    New York (Seybert, J.).
    UPON DUE CONSIDERATION, IT IS HEREBY ORDERED,
    ADJUDGED, AND DECREED that the judgment of the district court is AFFIRMED.
    Plaintiff-appellant Andrew Greene appeals from a judgment of the district
    court entered December 13, 2018, dismissing with prejudice his libel claim against
    defendants-appellees Paramount Pictures Corporation ("Paramount Pictures"), Red
    Granite Pictures, Inc. ("Red Granite"), and Appian Way, LLC ("Appian Way")
    (collectively, "defendants"). By memorandum and order entered the same day, the
    district court granted defendants' motion for summary judgment. 1 Greene sued in
    connection with the depiction of a character in The Wolf of Wall Street (the "Film"), a
    movie based on the activities of Stratton Oakmont, Inc. ("Stratton Oakmont"), a
    securities firm based in Long Island. Greene, who was a director, general counsel, and
    head of the corporate finance department at Stratton Oakmont between 1993 and 1996,
    1      The claims against defendant Sikelia Productions, Inc. were dismissed earlier in
    the case for lack of subject matter jurisdiction.
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    alleged that one of the characters in the Film presented a defamatory portrayal of him.
    We assume familiarity with the facts, procedural history, and issues presented for
    review.
    DISCUSSION
    On appeal, Greene argues that the district court erred in holding that he
    failed to raise a genuine issue of material fact as to whether defendants acted with the
    "actual malice" required to prevail on a libel claim brought by a public figure. We
    review a decision granting summary judgment de novo. See Terry v. Ashcroft, 
    336 F.3d 128
    , 137 (2d Cir. 2003).
    The Film was based on a memoir entitled The Wolf of Wall Street (the
    "Book") written by Jordan Belfort, one of Stratton Oakmont's co-founders. Belfort wrote
    about various criminal and other unsavory activities at Stratton Oakmont in the 1990s.
    Belfort was charged with and pled guilty to, inter alia, securities fraud and money
    laundering, for which he served time in prison and was ordered to pay over $100
    million in restitution. Greene is discussed extensively in the Book both under his full
    name, Andrew Greene, as well as his nickname "Wigwam" (a reference to his toupee).
    The Book describes Greene as engaging in illegal conduct at Stratton Oakmont. Despite
    his awareness of the contents of the Book, Greene never sought any legal redress with
    respect to its depiction of him.
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    The Film featured a character named Nicky Koskoff, who wore a toupee
    and went by the nickname "Rugrat." Greene contends that Koskoff is recognizable as
    him, and is depicted as engaging in behavior that defames his character. In particular,
    Greene argues that in the Film the Koskoff character engages in "adulterous/sexual acts
    at work" and "participate[d] in Mr. Belfort's criminal money laundering scheme,"
    conduct he denies. Appellant's Brief at 7. Koskoff, however, was a fictitious character
    based on three different individuals, including Greene, who worked either at or with
    Stratton Oakmont. Nicky Koskoff is the real name of the husband of one of the Film's
    producers.
    Greene has acknowledged for purposes of his libel claim that he is a
    public figure. To prevail on a defamation claim as a public figure, a plaintiff must
    demonstrate by clear and convincing evidence that the defendant acted with "actual
    malice," which has been defined as "knowledge that [the statement in question] was
    false or with reckless disregard of whether it was false or not." New York Times v.
    Sullivan, 
    376 U.S. 254
    , 279-80, 286 (1964). This Circuit has held that
    [A] finding of actual malice cannot be predicated merely on
    a charge that a reasonable publisher would have further
    investigated before publishing. . . . Rather, a public figure
    defamation plaintiff must show either that the publisher
    actually entertained serious doubts about the veracity of the
    publication, or that there are "obvious reasons to doubt the
    veracity of the informant or the accuracy of his reports."
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    Herbert v. Lando, 
    781 F.2d 298
    , 308 (2d Cir. 1986) (internal citation omitted) (emphasis in
    original); see also Masson v. New Yorker Magazine, Inc., 
    501 U.S. 496
    , 510 (1991) (holding
    that "plaintiff must demonstrate that the author in fact entertained serious doubts as to
    the truth of his publication"); St. Amant v. Thompson, 
    390 U.S. 727
    , 731 (1968) (holding
    that to show actual malice, plaintiff must show "high degree of awareness of probably
    falsity").   This heavy burden of proof is designed to "assure to the freedoms of speech
    and press that 'breathing space' essential to their fruitful exercise." Gertz v. Welch, 
    418 U.S. 323
    , 342 (1974).
    To prevail on a libel claim, a plaintiff must show that the libelous
    statements were "of and concerning" him. 
    Sullivan, 376 U.S. at 288
    ; see also Dalbec v.
    Gentleman's Companion, Inc., 
    828 F.2d 921
    , 925 (2d Cir. 1987) ("A statement is not libelous
    unless it is 'of and concerning' the plaintiff."). To be "of and concerning" the plaintiff, a
    statement must "reasonably be read as accusing [plaintiff] of personal involvement in
    the acts in question." 
    Sullivan, 376 U.S. at 288
    -89; see also Springer v. Viking Press, 
    90 A.D.2d 315
    , 320 (1st Dep't 1982) ("[T]o be actionable[,] the description of the fictional
    character must be so closely akin to the real person claiming to be defamed that a reader
    of the book, knowing the real person, would have no difficulty linking the two.").
    Accusations based on "unsupported assumption[s]" that the statements pertain to the
    plaintiff are insufficient to sustain a libel claim. 
    Sullivan, 376 U.S. at 289
    . While this
    Court has not spoken definitively on defamation in the context of fictious characters,
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    our First Amendment jurisprudence requires a plaintiff to show both that the character
    is similar enough to him to be "of and concerning" him, and that the portrayal is false
    and defamatory. See
    id. at 288;
    see also 
    Dalbec, 828 F.2d at 925
    ("The test is whether the
    libel designates the plaintiff in such a way as to let those who knew [the plaintiff]
    understand that [s]he was the person meant.") (internal quotation marks omitted).
    Here, the district court held that Greene failed to raise a genuine issue of
    material fact as to whether defendants acted with knowledge or reckless disregard in
    making defamatory statements "of and concerning" him. We agree, as Greene's claims
    fail as a matter of law for several reasons.
    First, as a reasonable jury could only find, defendants took appropriate
    steps to ensure that no one would be defamed by the Film. Defendants vetted the Film
    to ensure that it did not violate any third parties' reputational rights. In that respect,
    defendants' representatives spoke to a number of people, including Belfort, and read
    the Book and numerous news accounts of the events depicted in the Film. They spoke
    to screenwriter Terence Winter, who advised that he had reduced "the number of
    characters [featured in the Book] by creating various composite characters who did not
    correspond to any single human being." Supp. App'x at 829, 837.        Winter also advised
    that several characters in the Film, including Koskoff, were assigned fictitious names
    and were designed to "convey[] the atmosphere of Belfort's financial empire, but were
    not characters with a specific real life analogue."
    Id. at 830.
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    Second, no reasonable viewer of the Film would believe that defendants
    intended the Koskoff character to be a depiction of Greene. The most obvious point is
    that there is no character named Andrew Greene or Wigwam in the Film. Moreover,
    the record shows that defendants knew that the Koskoff character was a fictitious
    character who was a composite of three different people depicted in the Book. For
    example, in the Film the Koskoff character worked as a broker at Stratton who works on
    the trading floor. Greene, on the other hand, was the head of the Corporate Finance
    Department who did not work on the trading floor.
    Third, the Film included a disclaimer making clear that characters in the
    Film are fictionalized. The following disclaimer was shown at the start of the end
    credits for the Film:
    While this story is based on actual events, certain characters,
    characterizations, incidents, locations and dialogue were
    fictionalized or invented for purposes of dramatization.
    With respect to such fictionalization or invention, any
    similarity to the name or to the actual character or history of
    any person, living or dead, or any product or entity or actual
    incident, is entirely for dramatic purpose and not intended
    to reflect on an actual character, history, product or entity.
    Supp. App'x at 830.
    On this record, a reasonable jury could only find that defendants did not
    act with actual malice. Accordingly, the district court did not err in granting summary
    judgment dismissing Greene's claim.
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    We have considered Greene's remaining arguments and conclude they are
    without merit. Accordingly, we AFFIRM the judgment of the district court.
    FOR THE COURT:
    Catherine O'Hagan Wolfe, Clerk
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