Sheri Gilbert v. New Line Productions, Inc. , 490 F. App'x 34 ( 2012 )


Menu:
  •                                                                            FILED
    NOT FOR PUBLICATION                             JUL 23 2012
    MOLLY C. DWYER, CLERK
    UNITED STATES COURT OF APPEALS                       U .S. C O U R T OF APPE ALS
    FOR THE NINTH CIRCUIT
    SHERI H. GILBERT,                                No. 10-56458
    Plaintiff - Appellant,             D.C. No. 2:09-cv-02231-RGK-RZ
    v.
    MEMORANDUM *
    NEW LINE PRODUCTIONS, INC., a
    California corporation; NEW LINE
    CINEMA CORPORATION, a Delaware
    corporation; BENDER-SPINK, INC., a
    California corporation; CHRIS BENDER,
    individually and as an agent of Bender-
    Spink, Inc.; J.C. SPINK, individually and
    as an agent of Bender-Spink, Inc.;
    SPRING CREEK PRODUCTIONS, INC.,
    a California corporation; PAULA
    WEINSTEIN, individually and as an agent
    of Spring Creek Productions, Inc.;
    AVERY PIX, INC., a California
    corporation; KUMAR
    MOBILIENGESELLSCHAFT MBH &
    CO. PROJEKT NR. 1 KG, a German
    Company; MICHAEL FLYNN;
    NUYORICAN PRODUCTIONS, INC., a
    California corporation; JULIO CARO;
    FIRECRACKER PRODUCTIONS, INC.,
    a California corporation; ANYA
    KOCHOFF, individually and as an agent
    *
    This disposition is not appropriate for publication and is not precedent
    except as provided by 9th Cir. R. 36-3.
    of Firecracker Productions, Inc., AKA
    Anya Kochoff Landes, AKA Anya
    Kochoff Romano; WRITTEN IN STONE,
    INC., a California corporation; RICHARD
    LAGRAVENESE, individually and as an
    agent of Written in Stone, Inc.; MIGUEL
    A. NUNEZ, Jr.; VILLAGE ROADSHOW,
    LTD, an Australian Corporation;
    PARADISO ENTERTAINMENT, INC., a
    New York corporation;
    ENTERTAINMENT FILM
    DISTRIBUTORS LTD, a British
    corporation; METROPOLITAN
    FILMEXPORT, a French corporation;
    ALLIANCE FILMS, INC., FKA Alliance
    Atlantis Communications Inc., DBA
    Motion Picture Distribution LP;
    YLEISRADIO OY, a Finnish company,
    AKA YLE; FS FILM OY, a Finnish
    company; THE ENDEAVOR AGENCY,
    LLC, a Delaware Limited Liability
    Company; ADRIANA ALBERGHETTI,
    individually and as an agent of The
    Endeavor Agency, LLC; FILM
    INDEPENDENT, INC., a California
    corporation, FKA Independent Feature
    Project/West; TURNER
    BROADCASTING SYSTEM, INC., a
    Georgia corporation; CW MEDIA SALES
    INC./CW VENTES MEDIA INC., a
    Canadian corporation; CANWEST
    GLOBAL COMMUNICATIONS CORP.,
    a Canadian corporation; PARADISO
    HOME ENTERTAINMENT, a Dutch
    company; SANTA FE PRODUCTIONS
    NV, a Belgian Public Limited Liability
    Company, DBA Paradiso Entertainment;
    2
    PARADISO ENTERTAINMENT
    NEDERLANDS BV, a Dutch Private
    Limited Company; CW MEDIA, INC., a
    Canadian Corporation, formerly known as
    Alliance Atlantis Communications Inc.,
    doing business as Motion Picture
    Distribution LP; DISTRIBUTION
    COMPANY, S.A., an Argentinian
    Company; JANE FONDA; JENNIFER
    LOPEZ, individually, and as an agent of
    Nuyorican Productions, Inc.; ROBERT
    LUKETIC; NEW LINE HOME
    ENTERTAINMENT, INC., a New York
    Corporation; NEW LINE
    INTERNATIONAL RELEASING, INC., a
    California Corporation; NEW LINE
    TELEVISION, INC., a California
    Corporation; WANDA SYKES; TIME
    WARNER INC., a Delaware Corporation;
    MICHAEL VARTAN; WARNER BROS.
    ENTERTAINMENT, INC., a Delaware
    Corporation; WARNER BROS. HOME
    ENTERTAINMENT, INC., a Delaware
    Corporation, doing business as Warner
    Home Video, Inc.; WARNER
    COMMUNICATIONS, INC., a Delaware
    Corporation; WARNER HOME VIDEO,
    INC., a Delaware Corporation,
    Defendants - Appellees.
    Appeal from the United States District Court
    for the Central District of California
    R. Gary Klausner, District Judge, Presiding
    3
    Submitted July 13, 2012 **
    Pasadena, California
    Before: GILMAN,*** TALLMAN, and N.R. SMITH, Circuit Judges.
    Sheri Gilbert appeals the district court’s orders dismissing and granting
    summary judgment to Appellees (collectively the “movie makers”), and awarding
    them attorney’s fees, on her claims of copyright infringement. Gilbert, the author
    of the screenplay When Mom’s the Other Woman (“The Other Woman”), asserts
    that Appellees, involved in the making of the 2005 movie Monster-in-Law,
    unlawfully copied drafts of her screenplay in violation of the Copyright Act of
    1976, 
    17 U.S.C. § 101
    , et seq. We have jurisdiction over this matter pursuant to 
    28 U.S.C. § 1291
    . The facts of this case are known to the parties. We need not repeat
    them here.
    The district court properly ruled that neither the Monster-in-Law film nor
    any of its preliminary drafts infringes any of the second, third, or fourth drafts of
    **
    The panel unanimously concludes this case is suitable for decision
    without oral argument. See Fed. R. App. P. 34(a)(2).
    ***
    The Honorable Ronald Lee Gilman, Senior United States Circuit
    Judge for the Sixth Circuit, sitting by designation.
    4
    The Other Woman.1 Even assuming that the movie makers had access to Gilbert’s
    drafts, there is not sufficient similarity between the protectible expression in the
    various works to maintain a claim.2 See Benay v. Warner Bros. Entm’t, Inc., 
    607 F.3d 620
    , 624–25 (9th Cir. 2010). Monster-in-Law and The Other Woman both tell
    the story of a mother who meddles in her son’s life and tries to break up his
    engagement. But basic plots are not protectible, Berkic v. Crichton, 
    761 F.2d 1289
    , 1293 (9th Cir. 1985), nor are elements that naturally flow from such
    premises, so-called scènes à faire. 
    Id.
     All of the decidedly few similarities
    between Monster-in-Law and The Other Woman are unprotectible scènes à faire.
    There was no abuse of discretion in awarding attorney’s fees and costs to the
    movie makers. The district court properly considered the appropriate factors and
    emphasized that the movie makers achieved complete success on the merits and
    that Gilbert’s legal claims were objectively unreasonable. See Maljack Prods., Inc.
    v. GoodTimes Home Video Corp., 
    81 F.3d 881
    , 889 (9th Cir. 1996).
    1
    Because Gilbert failed to file her first draft for registration with the
    Copyright Office prior to instituting suit, she may not pursue an infringement
    action on that claim. Cosmetic Ideas, Inc. v. IAC/InterActiveCorp., 
    606 F.3d 612
    ,
    621 (9th Cir. 2010); see also 
    17 U.S.C. § 411
    (a).
    2
    Gilbert also argues that substantial similarity need not be proven here where
    there is direct evidence of exact copying. See Baxter v. MCA, Inc., 
    812 F.2d 421
    ,
    423 (9th Cir. 1987). However, Gilbert fails to provide any facts or helpful
    references to the record that indicate exact copying has occurred.
    5
    We must vacate the fees award in part, however, for the district court to
    reconsider the amount awarded for the movie makers’ North Carolina counsel, who
    defended the action first filed there before the case was transferred to the Central
    District of California. The district court is required to make specific findings as to
    what rate and amount of time is reasonable in each case. Frank Music Corp. v.
    Metro-Goldwyn-Mayer Inc., 
    886 F.2d 1545
    , 1557 (9th Cir. 1989). It is error to
    “accept uncritically . . . counsel’s representations concerning the time expended.”
    
    Id.
    The district court made appropriate and specific findings as to the rate and
    time expended by California counsel and ruled that the movie makers were entitled
    to $801,130 in attorney’s fees. But the court made no mention of North Carolina
    counsel. After adding full costs of $14,571, the district court somehow entered a
    final award of $894,983. This $79,282 discrepancy is likely attributable to the
    services performed by North Carolina counsel. The declaration of one of the
    movie makers’ attorneys requests $801,100 for the California firm’s fees, $79,282
    for North Carolina counsel’s fees, and $14,571 for costs. It is not clear whether the
    court’s final award is the result of an administrative error or the uncritical
    acceptance of counsel’s representations. We must therefore vacate the award
    amount and remand for reconsideration because we cannot tell which it is.
    6
    We have carefully considered all the other arguments presented by Gilbert
    and have determined that they lack merit.
    AFFIRMED in part; REVERSED AND REMANDED in part. Each
    party shall bear its own costs on appeal.
    7