Ahanchian v. Xenon Pictures, Inc. , 403 F. App'x 166 ( 2010 )


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  •                                                                               FILED
    NOT FOR PUBLICATION                                NOV 03 2010
    MOLLY C. DWYER, CLERK
    UNITED STATES COURT OF APPEALS                          U.S. COURT OF APPEALS
    FOR THE NINTH CIRCUIT
    AMIR CYRUS AHANCHIAN, an                         No. 08-56667
    individual,
    D.C. No. 2:07-cv-06295-JFW-E
    Plaintiff - Appellant,
    v.                                             MEMORANDUM*
    XENON PICTURES, INC., a Delaware
    corporation; et al.,
    Defendants - Appellees.
    AMIR CYRUS AHANCHIAN, an                         No. 08-56906
    individual,
    D.C. No. 2:07-cv-06295-JFW-E
    Plaintiff - Appellant,
    v.
    XENON PICTURES, INC., a California
    corporation; et al.,
    Defendants - Appellees.
    Appeal from the United States District Court
    for the Central District of California
    *
    This disposition is not appropriate for publication and is not precedent
    except as provided by 9th Cir. R. 36-3.
    John F. Walter, District Judge, Presiding
    Argued and Submitted February 2, 2010
    Pasadena, California
    Before: KLEINFELD, WARDLAW and CALLAHAN, Circuit Judges.
    Amir Cyrus Ahanchian appeals the district court’s grant of summary
    judgment in favor of Xenon Pictures, Inc., CKrush, Inc., Sam Maccarone, and
    Preston Lacy (“defendants”) over the authorship of certain skits portrayed in
    National Lampoon’s TV: The Movie (“movie”) in Appeal No. 08-56667. He also
    appeals the ensuing award of attorneys’ fees in Appeal No. 08-56906. Because
    genuine issues of material fact exist as to Ahanchian’s implied contract and
    copyright claims, we reverse in part and affirm in part. See Estate of Tucker ex rel.
    Tucker v. Interscope Records, Inc., 
    515 F.3d 1019
    , 1029 (9th Cir. 2008).
    Accordingly, we vacate the award of attorneys’ fees and costs.
    I.
    Both in his opposition to summary judgment and during argument on appeal,
    Ahanchian conceded that his Lanham Act claims are foreclosed by the Supreme
    Court’s holding in Dastar Corp. v. Twentieth Century Fox Film Corp., 
    539 U.S. 23
    (2003). Accordingly, we affirm the district court’s grant of summary judgment as
    to Ahanchian’s Lanham Act claims.
    2
    II.
    The district court erred in granting summary judgment on Ahanchian’s
    implied contract claim because genuine issues of material fact exist as to that
    claim. Viewing the facts in the light most favorable to Ahanchian, as we must, we
    conclude that they establish a course of conduct revealing an implied promise to
    pay. See Gomez v. Lincare, Inc., 
    173 Cal. App. 4th 508
    , 525 (Ct. App. 2009);
    Spinelli v. Tallcott, 
    272 Cal. App. 2d 589
    , 595 (Ct. App. 1969).
    Ahanchian’s implied contract claim is not barred by the two year statute of
    limitations. See 
    Cal. Civ. Proc. Code § 339
    (1) (two year statute of limitations
    begins running upon “discovery of the loss or damage suffered by the aggrieved
    party”). Without a breach of the contract, there can be no loss or damage for the
    injured party to discover. Cf. E.O.C. Ord., Inc. v. Kovakovich, 
    200 Cal. App. 3d 1194
    , 1203 (Ct. App. 1988) (“[A] cause of action based upon a breach of contract
    accrues at the time of the breach.”). Here, the alleged breach occurred when
    Ahanchian’s skits were included in the movie and he was not paid for them.
    Before Ahanchian viewed the movie, he could not reasonably have known of the
    breach or resulting harm. Thus, crediting Ahanchian’s testimony that he first
    viewed the movie in September 2006, his implied contract claim, which was filed
    on September 17, 2007, is timely. See Cornwell v. Electra Cent. Credit Union, 439
    
    3 F.3d 1018
    , 1033 (9th Cir. 2006) (non-movant’s testimony is credited for purposes
    of summary judgment); Amen v. Merced County Title Co., 
    375 P.2d 33
    , 36 (Cal.
    1962) (cause of action accrues when party knows or should have known of the
    claimed injury).
    III.
    Genuine issues of material fact also preclude summary judgment as to the
    question of joint authorship of the skits. In November 2006, Ahanchian filed
    certificates of registration for ten skits and claimed sole authorship of nine. These
    certificates are “prima facie evidence of the validity of the copyright and of the
    facts stated in the certificate.” 
    17 U.S.C. § 410
    (c). Defendants argue that
    undisputed facts demonstrate that Ahanchian, at most, co-authored the skits with
    them, and, as co-authors they cannot be liable for copyright infringement.1 Oddo v.
    Ries, 
    743 F.2d 630
    , 632–33 (9th Cir. 1984) (“A co-owner of a copyright cannot be
    liable to another co-owner for infringement of the copyright.”).
    The movie is a collection of independent comedic skits. Thus, the movie is a
    collective work, see 
    17 U.S.C. § 101
    , and there exists a distinct copyright interest
    1
    Defendants also assert that Ahanchian’s registrations in the skit should be
    invalidated because of his misrepresentation of sole authorship. See Whimsicality,
    Inc. v. Rubie’s Costume Co., 
    891 F.2d 452
    , 455 (2d Cir. 1989). Both arguments,
    however, turn on the same question: Is there a genuine dispute as to whether
    Ahanchian solely authored the skits?
    4
    in each skit which vests in its author. See 
    id.
     § 201(c); Andy Warhol Found. for the
    Visual Arts v. Fed. Ins. Co., 
    189 F.3d 208
    , 217 (2d Cir. 1999). Defendants assert
    that the movie is a “joint work,” 
    17 U.S.C. § 101
    . To succeed, they must show that
    they jointly authored the individual skits, as they recognized before the district
    court.
    As to one of the skits at issue, “Sex and the Pen,” the certificate of
    registration states that it was co-written by Maccarone and Lacy, and Ahanchian so
    alleges. Therefore, the district court correctly granted summary judgment against
    Ahanchian on Ahanchain’s “Sex and the Pen” claim of infringement.2 Zuill v.
    Shanahan, 
    80 F.3d 1366
    , 1369 (9th Cir. 1996); Oddo, 
    743 F.2d at
    632–33.
    As to the remaining nine skits, however, whether defendants made any
    independently copyrightable contributions to the skits, an important threshold
    requirement for joint authorship, is hotly disputed. See Richlin v. Metro-Goldwyn-
    Mayer Pictures, Inc., 
    531 F.3d 962
    , 968 (9th Cir. 2008). Ahanchian testified that
    defendants’ contributions to the skits were limited to the suggestion of a specific
    character name in two and the term “I-talians” in a third. In addition, Ahanchian
    testified that after he read the skits he authored to the defendants, they reacted with
    2
    Ahanchian’s counsel also conceded that the skit “Space Truckers” was co-
    authored with Maccarone and Lacy. However, Ahanchian’s complaint does not
    allege copyright infringement of “Space Truckers.”
    5
    statements such as, “‘Yes,’ ‘No,’ ‘Go back to it,’ that kind of thing.” However,
    such “[i]deas, refinements, and suggestions” are insufficient to establish joint
    authorship. Janky v. Lake County Convention & Visitors Bureau, 
    576 F.3d 356
    ,
    363 (7th Cir. 2009); see also Aalmuhammed v. Lee, 
    202 F.3d 1227
    , 1231 (9th Cir.
    2000) (holding that certain “substantial” and “valuable contributions” were
    nonetheless not copyrightable contributions).
    Genuine issues of material fact also exist as to the critical factors for
    determining joint authorship set forth in Aalmuhammed v. Lee, 
    202 F.3d 1227
    ,
    1234 (9th Cir. 2000). First, it is disputed whether Ahanchian or defendants
    displayed “objective manifestations of a shared intent to be coauthors” of the skits.
    
    Id.
     Second, Ahanchian testified that he was the sole “‘inventive or master mind’”
    who “‘creat[ed], or [gave] effect to the idea’” contained in the disputed skits. 
    Id.
    (quoting Burrow-Giles Lithographic Co. v. Sarony, 
    111 U.S. 53
    , 61 (1884); see
    also Richlin, 
    531 F.3d at 968
    (recognizing that this factor will frequently be the
    most important). Ahanchian asserts he maintained control over the development
    and actual composition of the skits. Finally, given the defendants’ limited
    contribution as described by Ahanchian, the “audience appeal” of the skits derives
    solely from Ahanchian’s contributions. Aalmuhammed, 
    202 F.3d at 1234
    .
    6
    Ahanchian’s account of the origin and development of the disputed skits is
    contested by Maccarone’s deposition testimony and the testimony of the only non-
    party present at the formative meetings among Ahanchian, Maccarone, and Lacy.
    However, at the summary judgment stage we must view the evidence and all
    justifiable inferences in the light most favorable to Ahanchian. Blankenhorn v.
    City of Orange, 
    485 F.3d 463
    , 470 (9th Cir. 2007). Therefore, defendants failed to
    demonstrate the absence of genuine issues of material fact as to Ahanchian’s
    copyright infringement claims.
    IV.
    In appeal No. 08-56667, we therefore AFFIRM the district court’s grant of
    summary judgment as to Ahanchian’s Lanham Act claim and copyright
    infringement claim based solely on the “Sex and the Pen” skit. We REVERSE the
    district court’s grant of summary judgment as to the implied contract claim and the
    remainder of the copyright infringement claims and REMAND this action to the
    district court for further proceedings consistent with this memorandum.
    Accordingly, we VACATE the district court’s award of attorney’s fees in appeal
    No. 08-56906.
    APPEAL NO. 08-56667: Affirmed in part; reversed and remanded in
    part; each side shall bear its own costs of appeal.
    7
    APPEAL NO. 08-56906: Vacated; Defendants shall bear the costs of this
    appeal.
    8